| Puccini, Giacomo (1858-1924) | Madama Butterfly | Libretto von Luigi Illica, Giuseppe Giacosa |
| Opera North | ||
| Martin Pickard | Musikalische Leitung | |
| Tim Albery | Regie | |
| Hildegard Bechtler | Bühnenbild | |
| Ana Jebens | Kostüme | |
| Chorus of Opera North | ||
| Orchestra of Opera North | ||
| Anne-Sophie Duprels | Sopran | Cio-Cio-San (Madama Butterfly) |
| Merūnas Vitulskis | Tenor | Pinkerton |
| Peter Savidge | Bariton | Sharpless |
| Ann Taylor | Mezzosopran | Suzuki |
| Dean Robinson | Bass | Onkel Bonze |
| Christopher Nairne | Bariton | Fürst Yamadori |
| Joseph Shovelton | Tenor | Goro |
| Katie Bird | Sopran | Kate Pinkerton |
A tender story of innocent love crushed amidst two utterly different cultures, which resonates as strongly as ever in today’s world.
With its exquisitely simple set and costumes, this emotionally direct and subtle production by Tim Albery is devastating in its impact, as Butterfly’s dawning realisation of the harsh reality of her circumstances leads inexorably to a final act of despair.
French soprano Anne Sophie Duprels has won widespread praise in this production in the role of Cio-Cio San, a young Japanese woman who sacrifices everything to marry a U.S. Naval Officer, yet is cruelly discarded when he returns to his ‘real’ life in America. She is joined for this revival by Lithuanian tenor Merūnas Vitulskis, making his UK and Opera North debut as Pinkerton.
